JR owns the biggest art gallery in the world.
He exhibits freely in the streets of the world, catching the attention of people who are not typical museum visitors. His work mixes Art and Act, talks about commitment, freedom, identity and limit.
After he found a camera in the Paris subway, he did a tour of European Street Art, tracking the people who communicate messages via the walls. Then, he started to work on the vertical limits, watching the people and the passage of life from the forbidden undergrounds and roofs of Paris.
In order to pay tribute to those who play an essential role in society but who are the primary victims of war, crime, rape and political or religious fanaticism, JR pasted huge photos of the faces and eyes of local women all over the outside of the favela, suddenly giving a female gaze to both the hill and the favela.
“It’s a project made of bric-a-brac, like the favela itself. We had to adapt to this world where the roofs of houses are made of plastic and children’s revolvers are made of steel. We managed to get by in spite of the steep streets, the unsteady houses, the unpredictable electric cables and the exchanges of gunshots where the bullets sometimes go through several houses at once”