The site-specific installation presents three water towers inside of which neon reflections repeat infinitely. The sculptures merge a staple of the New York skyline with the street-level landscape of the Park. The artist takes the exhibition’s title from the beloved 1940 Woody Guthrie folk song, which is both an American anthem and a vocal pull to the freedoms offered in this country for an immigrant population. The towers are elevated to a height above visitors’ heads, allowing them to walk underneath and look up into each sculpture to view the content within.
Artist Iván Navarro states: “I like the idea of a reservoir of water. This simple and timeless wooden structure contains water—the most primitive and elemental resource, the essence of human sustenance, and a reminder of the basic condition that all humanity shares. We must guarantee our water in order to survive. In that sense the water tanks are containers of primordial knowledge. Their form and material are equally archaic: they are simple circular huts with conical roofs, made of wood. Less obvious but nonetheless important is their reference to watchtowers due to their elevated position. Although they are benign objects, there is the sense that they are quietly surrounding us, surveying the city below. These water towers metaphorically function as tall ornamental crowns on the tops of the large buildings that dominate the urban landscape. They punctuate the glory of modern civilization while reclaiming its humanity.”